Today we can see Parametric Design academic projects all around the globe, however the great majority of them stay only as conceptual renders or 3D printed models. This doesn´t apply for the guys of I.M.A.D.E from Ball State University I have been watching their projects for the last months and it´s really remarkable the fact that they really get concerned for getting their study programs designs built.
They are making what many other schools should be doing alliances ,they are gathering with other important architecture school programs as well as emergent architecture studios that support their education programs, also very important the have a great support for material providers that help online pharmacy without prescription in a great deal to get projects built.
This experiences really helps students gain knowledge in solving problems of digital fabrication you encounter when translating digital information into real building situations.
Below is one of my favorite projects named Calibration Channel, description straight from the site.
Description of the project
The Calibration Channel provides a seating-platform to channel the river sounds in a manner that small groups and individuals can undergo sensory calibration. Primary structural ribs, digitally defined from the simulation models, contour an interior skin, which acts as a secondary structural element.
The skin creates a smoother surface to better accommodate acoustics. The structure rests on digitally modeled and CNC-milled Indiana Limestone bases, shedding water away from the wood surfaces. In order to maximize usage of donated red oak and ash, a digital index was established to catalog and organize each board. Since each component had been digitally nested upon a digitized board, slight adjustments in data allowed us to directly output that information to the CNC mill. As a result of such proficient data transference, we were able to focus in on variations of details.
The 180 skin boards were cut from the remaining hardwood. An environmentally friendly treatment was applied to the rib and skin components. The installation was erected in roughly one week, with very few modifications to the pre-fabricated components. As an instrument, the Calibration Channel becomes a threshold for individuals to realign their sensory energy to the sensitivities of the river. It serves as catalyst for a paradigm shift, away from shaping nature for the sake of humanity, and towards shaping humanity for the sake of nature.
Calibration Channel Team:
Robert Beach, Austin Durbin, Melissa Funkey, Jori Garcia, Robert Horner, Anne Jeffs Cupp, Katie Marinaro, Christopher Peli, Josh Reitz, Chelsea Wait