Each sculpture is made out of 12 triangular panels, hinged and powered by six linear actuators, controlled by a specific program. At the center of each corolla, a loudspeaker and a microphone allow to play and record sounds.
At regular intervals, each sculpture produces a sound, simultaneously recorded and analyzed by the opposite sculpture, which then moves according to the frequencies of this sound.
Like a feedback loop, it then plays back the recorded sound, with the errors and disturbances caused by the reverberating space and the visitors.

By intervening in this conversation, the viewer becomes an actor, as he degrades the communication by his presence and the noises he produces. As the panels move back and forth at a pace determined by the environmental sound, they create a non-immediate interaction, where the imperfections of reproduction are becoming creative elements.

The original sound is continuously transformed, and becomes something entirely new and unpredictable. The memory of past events is hold for a moment, until it’s reproduced, degraded, and then forgotten, replaced by the present.

SYNOPSIS
The digital revolution of the last decade has unleashed creativity and talent of people in an unprecedented way, unleashing unlimited creative opportunites.
But does democratized culture mean better art, film, music and literature or is true talent instead flooded and drowned in the vast digital ocean of mass culture? Is it cultural democracy or mediocrity?
This is the question addressed by PressPausePlay, a documentary film containing interviews with some of the world’s most
influential creators of the digital era.
The film was shot globally between August 2009 – January 2011, covering more than 150 hours of interview footage with international creatives and thinkers – representing the state of digitized culture today.

via @daniel_camiro

For this project an interactive tool was created using processing and all animations are exported without the need of post production. A wide range of t processing libraries were used like toxiclibs for the fluid and GLGraphics to make shading possible, as well as Lee Byrons meshLib and the Ani Tweaning Library by Benedikt Groß for the mesh and its animation and ControlP5 and ProScene for camera and control.

What is Chrysalis?
The purpose of the Chrysalis project is to make it easier for people to create 3D interactive applications for the web, by combining two already existing platforms: Processing and Grasshopper.

At the core of the project is an open source app, written in Processing, that translates designs made using the intuitive 3D design interface called Grasshopper into working Processing code. Also included are the necessary resources needed by Processing to support some of Grasshopper’s special types of 3D geometry, as well as a feature that runs within Gasshopper to initiate the translation into processing.

How will Chrysalis help designers?

There is a new paradigm emerging in which small scale designers are offering customizeable versions of their designs through interactive web applets. Customers can go to the website, select a number of settings, preview the customized product and get a price estimate. Then when they are ready, they press a button and the product is made and shipped to them directly.

Processing makes apps like this possible through its robust graphics handling, and the ability to run in a web browser and interact with other websites via html. However, Processing has a text-based code editor, which is difficult to use in 3D design, especially for visually oriented people.

The intuitive WYSIWYG interface offered by Grasshopper is much more effective for visually oriented designers because it shows data and its relationships graphically instead of as lines of text. Unfortunately, Grasshopper models are not as share-able as Processing. It is not possible to view or interact with grasshopper designs on the web. The answer is Chrysalis; Think of it as designing 3D interactive content for the web using an intuitive visual

What will the funding be used for?

Funding will pay for professional software developers to produce the following items, which will be open-source and available through the Processing and Grasshopper online communities, under the Creative Commons license:

-New 3D libraries for Processing to support selected types of NURBS geometry
-Adaptation of some existing 3D geometry libraries for Processing
-New Chrysalis translator app, written in Processing
-New initiator component to run within Grasshopper
-Complete documentation of all included libraries and translator app

The work FOLDS is one of the latest projects of artist Robert Seidel commisioned by the Lindenau Museum (Altenburg, Germany) may be understood as a rapprochement with the history of the museum’s collection of plaster casts. I was particularly interested in the ancient, fragmented bodies – how through the loss of limbs they became almost abstract, fragmentary sculptures and yet still disclosed a nearly uncanny vitality. Also noteworthy is that the collection entails sculptures, Greek in origin, that have been replicated time and time again. Hewn from marble and partially painted in color, the originals were repeatedly copied in marble or plaster in different places across centuries, despoiled of color and slurred in detail.
Despite these multiple re-shapings that attend the loss of the original’s memory, new meanings and frictions arise with each copy in each respective present. They are the precondition for over 2400 years of the ongoing revitalization of the legacy of antiquity. The fold, a continually recurring visual and conceptual motif in my works, is for me the pictorial metaphor for these layers and distortions of meaning. In the projection the fold becomes connected to the fragmentary sculptures, swirls around them, makes them flow with bygone colors, protects or clothes them, gives them peace and lets them come alive for a moment, in order then to be stored as a further layer in the sediment of oblivion.

dimension: 7,2 × 1,9 × 2,4 m
video: robert seidel
commission: lindenau museum altenburg, germany
2-channel video, HD, variable loop on 19th century plaster casts of Kladeos, Kephissos, Belvedere Torso, Seer and the Three Goddesses from the Bernhard August von Lindenau Collection

Dodecaudion is a spatial audiovisual controller based on such technologies as infrared distance sensors, arduino, bluetooth, processing and osc , developed by panGenerator one of the main ideas behind the project according to its designers ‘was to explore a new interface that stands as an alternative to traditional controllers (like knobs and buttons) that simply don’t provide much room for performers’ gestural expression.’

DODECAUDION is right now on its Alpha stage but should be ready for production in following months and will be available via HEDOCO online shop.

Dodecaudion is totally opensourced project licensed by an MIT license – source code & Creative Commons (CC BY-NC-SA) – form design, PCB layout & everything else.

You can find all the open source code source code, CAD documentation and PCB schematics on github

Actelion Imagery Wizard is a tool developed for the re branding of Actelion Pharmaceuticals a biopharmaceutical company that researches, develops and markets medicines for diseases that still lack adequate treatments , developed by Berlin based onformative studio.

Actelion Imagery Wizard from onformative on Vimeo.

About the tool

The Processing-based software was developed especially for Actelion. It enables the targeted creation of graphic images based on photographs, whose visual information contained in the tool is translated into graphic elements such as points, lines and curves using special algorithms. There are a number of presets, as well as countless possibilities – through expanded editing and settings – for making fine adjustments on individual graphical elements. It is even possible to edit the underlying photographic template later on without having to switch to other image processing programs. The software allows both the print vector data and the information for digital media to be exported. Extensive adjustment possibilities for the animations are also available in a separate animation menu. Thanks to the software’s modular construction, new additional modules can be easily programmed that allow the software to be expanded on for years to come so that the corporate design can also be continually revived.

L’Artisan Electronique by Unfold Studio is a modified an open source 3d printer to print ceramics combined with a virtual pottery wheel that was made in collaboration with Tim Knapen. This pottery wheel gives visitors a chance to ‘turn’ their own forms. At regular intervals, a selection of these designs is printed in clay and exhibited in the space.

In L’Artisan Electronique, pottery, one of the oldest artisanal techniques for making utilitarian objects, is combined with new digital techniques. The virtual pottery wheel was realsied by means of a 3D-scanner and digital design software. However, the installation still clearly refers to the artisanal process of working in clay. The printing process imitates the traditional technique used by ceramicists, in which the form is built up by stacking coils of clay.

The madMeshMaker is a generative surface modeling environment created by Golan Levin’s Interactive Art and Computational Design course at Carnegie Mellon University, and has the intention to be an intuitive and fun introduction to fabrication with computer-numerically-controlled (CNC) table routers. CNC routers have become a staple of institutions related to digital design and manufacturing for their ability to rapidly fabricate models, furniture, interior systems, and other prototypical assemblages. However, because of the inherent 3D-modeling knowledge needed to both virtually and physically design, the machinery still remains an ‘advanced topic’ in academic curriculum. The madMeshMaker dissolves this notion, allowing any novice to digital technologies to easily create a virtual model embedded with the information necessary to communicate with a CNC router.

The application is intended to be distributed to freshmen architecture/design/art students, allowing them to rapidly explore and experiment with integrated digital design/fabrication technologies. With the madMeshMaker lowering the barriers-of-use, students are able to experiment more freely with the limits of what the fabrication technology can and cannot do … getting them to explore a surface through various materials, toolpaths, toolbit profiles, etc. By incorporating the application as a pedagogical tool in the beginning stages of their formal education, the goal of the madMeshMaker is to enable future designers to push beyond the conventional uses of the technology, and cultivate novel methods of design and production.

You can download the application from HERE